By Jennie S. Knight
What distinction does it make even if we photograph God as an aged white grandfather, a nurturing African American mom, or a stranger at the bus?
Jennie Knight says our photograph of God impacts how we see ourselves, how we worship, how we deal with each other, how (or even if) we paintings for justice, and a bunch of alternative existence practices. yet after years of understanding intellectually that God transcends a selected human sort, Knight nonetheless struggles to make an emotional reference to God in numerous kinds. She suspects that that fight is why many seminarians who wrote papers approximately thea/theology abandon nontraditional God photos after they hit parish ministry, perpetuating the perform of seeing God as a ecu male on a throne and the entire accompanying difficulties that such imagery creates.
Knight believes that non-public and demanding mirrored image within the context of a supportive studying neighborhood, mixed with stories of various photographs for the divine in worship, may end up in profound adjustments in self-image, dating with the divine, and corporation on the planet. This e-book goals to illustrate why and the way this modification is either attainable and necessary.
The reputation of The Shack, the key lifetime of Bees, Joan of Arcadia, and different works with nontraditional God-figures unearths a tradition able to embody God in lots of varieties. Knight examines how the church can do the same.
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Feminist Mysticism and Images of God by Jennie S. Knight